The Real-Life ‘24’ of Summer 2008

By FRANK RICH

WE know what a criminal White House looks like from “The Final Days,” Bob Woodward and Carl Bernstein’s classic account of Richard Nixon’s unraveling. The cauldron of lies, paranoia and illegal surveillance boiled over, until it was finally every man for himself as desperate courtiers scrambled to save their reputations and, in a few patriotic instances, their country.

“The Final Days” was published in 1976, two years after Nixon abdicated in disgrace. With the Bush presidency, no journalist (or turncoat White House memoirist) is waiting for the corpse to be carted away. The latest and perhaps most chilling example arrives this week from Jane Mayer of The New Yorker, long a relentless journalist on the war-on-terror torture beat. Her book “The Dark Side” connects the dots of her own past reporting and that of her top-tier colleagues (including James Risen and Scott Shane of The New York Times) to portray a White House that, like its prototype, savaged its enemies within almost as ferociously as it did the Constitution.

Some of “The Dark Side” seems right out of “The Final Days,” minus Nixon’s operatic boozing and weeping. We learn, for instance, that in 2004 two conservative Republican Justice Department officials had become “so paranoid” that “they actually thought they might be in physical danger.” The fear of being wiretapped by their own peers drove them to speak in code.

The men were John Ashcroft’s deputy attorney general, James Comey, and an assistant attorney general, Jack Goldsmith. Their sin was to challenge the White House’s don, Dick Cheney, and his consigliere, his chief of staff David Addington, when they circumvented the Geneva Conventions to make torture the covert law of the land. Mr. Comey and Mr. Goldsmith failed to stop the “torture memos” and are long gone from the White House. But Vice President Cheney and Mr. Addington remain enabled by a president, attorney general (Michael Mukasey) and C.I.A. director (Michael Hayden) who won’t shut the door firmly on torture even now.

Nixon parallels take us only so far, however. “The Dark Side” is scarier than “The Final Days” because these final days aren’t over yet and because the stakes are much higher. Watergate was all about a paranoid president’s narcissistic determination to cling to power at any cost. In Ms. Mayer’s portrayal of the Bush White House, the president is a secondary, even passive, figure, and the motives invoked by Mr. Cheney to restore Nixon-style executive powers are theoretically selfless. Possessed by the ticking-bomb scenarios of television’s “24,” all they want to do is protect America from further terrorist strikes...[Open in new window]